The best part of the film is an animated prologue that gives a condensed primer on Arthur, Merlin, Lancelot, Morgana, and the Knights of the Round Table. Unmasking the new killer is a secondary consideration and Landon doesn't invest much creative energy into making this aspect credible, interesting, or suspenseful. Deadpool, which turbo-charged it, was still in pre-production.
Moland starts out his tongue-in-cheek approach by interrupting proceedings with an intertitle every time someone is killed it features the person's real name, gangster nickname, and a cross. His idea of parenting is to give his son Nicholas Holmes a copy of The Lord of the Flies and tell him the answer to all life's problems are found therein.
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The Kid Who Would Be King is less a family film than it is a kid's feature, and the difference between the two is one reason why this movie is unlikely to make a major impact at the early box office. In What Men Want, everything is strident and exaggerated - most of the men are chauvinist ogres who would never think of allowing a woman into their all-boys' club.
Although the movies may share the same name, they have different agendas. Here, the setting has been shifted south of the border to Tijuana where drug-fueled violence fostered by the cartels is a way of life.
This time, however, she has been transported to a parallel universe where her mother is alive, her roommate is sane, and someone else is playing the part of the killer. It's about beating the guys at their own game, achieving parity, then using that position to kick them in the nuts. The former retained a vestige of the elements that made the feature appealing but the latter seemed tired and derivative.